video synthesizer造句

• The Milkymist One video synthesizer and FPGA design shortcomings.
• Video synthesizers overlap with video special effects equipment used in real time network television broadcast and post-production situations.
• In the 1970s Zinovieff became interested in the video synthesizer developed by Robert Monkhouse, and EMS produced it as the Spectron.
• Marini has also been working on an emulator software imitating the Rutt / Etra Video Synthesizer, in collaboration with Bill Etra.
• The Hologlyphic movies can also be performed in real-time, like a video synthesizer, controlled by musical keyboards, motion sensors, control panels, and acoustic instruments.
• One of the first commercially distributed video synthesizers available in 1981 was the CEL Electronics Chromascope sold for use in the developing nightclub scene.
• There were also those such as Steina and Woody Vasulka who were interested in the formal qualities of video and employed video synthesizers to create abstract works.
• The Hologlyphic Video Synthesizer, called the Hologlyphic Funkalizer, projects Hologlyphic Glyphs that animate and spatially transform into each other, controlled by unique sound sculptures and a dedicated control panel.
• The film was made using a wide variety of equipment and shooting formats, including Super 8, 16mm, 35mm and a video synthesizer which had been donated to the project by Nam June Paik.
• Woody's practice became more focused on digital image manipulation and the employment of tools like the Rutt / Etra Video Synthesizer ( Bill Etra, a co-creator of this device, showed frequently at the Kitchen during the Vasulkas'tenure ).
• During 1963 and 1964 the engineers Hideo Uchida and Shuya Abe showed Paik how to interfere with the flow of electrons in color TV sets, work that led to the Abe-Paik video synthesizer, a key element in his future TV work.
• This distinguishes them from video synthesizers, which MUST deliver a new output frame by the time the last one has been shown, and repeat this performance continuously ( typically delivering a new frame regularly every 1 / 60 or 1 / 50 of a second ).
• More material displays in this gallery include the original Paik-Abe video synthesizer ( 1969-72 ), a collaboration between Paik and the Japanese engineer Shuya Abe that enabled the processing of live and taped video images to produce a visually distinctive vocabulary a distance from the language of commercial television.
• The duo played at a number of 1970s free festivals including EMS studio in Putney in 1975 they used the EMS Synthi 100 to record the " Ouroboros " Suite, recently been remastered for CD . Some of this music was used as the soundtrack for the short film, " Mother Earth ", with synthetic visuals from the EMS Spectron Video Synthesizer.